Rapping with the Dead
February 7, 2021 • No Comments
Who doesn’t love a good coincidence, especially when it involves ghosts?
Who doesn’t love a good coincidence, especially when it involves ghosts?Recently I was blathering with a friend about contacting the dead (as one does while folding laundry). I’m stocking up on ideas for a new story, and it was an unplanned but fruitful topic. Literally minutes later, I got an email for a virtual event.
Cue Weird Homes Tour and Atlas Obscura featuring Brandon Hodge. Hodge owns an Austin, Texas residence stuffed with Spiritualism-related objects. For one very fun hour, Hodge took viewers through his collection of antique planchettes, Ouija boards, and other paraphernalia.
It was like a gift-wrapped package falling through the monitor and into my lap. Spiritualism fascinates me, and Hodge’s enthusiasm and fab website are an ideal introduction to the subject.
A Victorian Obsession
The Spiritualist movement gained traction in the mid-1800s. It gave us mediums, automatic writing, ectoplasm, spirit photography, and table-rapping.
Essentially, it’s summoning the dead for a chat. Believers included the rich and famous, from Lucy Maud Montgomery to Arthur Conan Doyle.
For a buttoned-up society focused on industry, cataloguing, and petticoats for the piano legs, it’s interesting how Victorians embraced the paranormal. Their enthusiasm can be seen by the many, many periodicals dedicated to the topic, such as The British Spiritual Telegraph.
Celebrity
Mediums achieved a kind of celebrity, like the Fox sisters in America. Some grew rich. Others were ingloriously debunked for coughing up gauze
“ectoplasm” or manipulating the seance props with wires.
The majority of mediums were women. This was one place she could take center stage without question. And, since the bereaved were willing to pay, she could also make a good living.
Spiritualism carried on—unsurprisingly—through the disasters of WWI and the Spanish flu epidemic until fading in the 1930s.
Stories
I’ve used the highlights of Spiritualism before. In A Study in Ashes, Evelina and Tobias attend a séance. At the time, I’d wanted to delve more deeply into the subject, but that wasn’t part of Evelina’s story. She simply paved the way for more.
Now—thanks to a chance lockdown presentation—I’m anxious to do more research. After all, what’s more perfect than something that is Victorian, paranormal, and involves intriguing devices? I’m positive there is a role for a planchette or two in my Hellion House series.
Will-o-the-wisps
May 22, 2018 • No Comments
We all know the past has a pull on us. We write about literal ghosts, but there are plenty of metaphorical ones as well. Some are even more powerful and/or frightening than a chain-rattling specter. These haunts are the echoes of past selves that—for good or ill—we’ve somehow left behind. Memories, emotions, past selves we’ve given up for a higher good or a harder road—nothing is ever truly gone when it’s a part of our soul. Sometimes that’s a relief, or an ache, or both.
Dreams delayed are the strangest of these shades. This weekend was full of open-air concerts and sunshine and the first flush of the festival season. I took time away from my desk to bask in the warmth and watch one of my favorite bands. As a creative, I had two loves—writing and music, and I had to make a choice between the two. I could only nurture one properly and still hold down a full-time job. I chose storytelling, in part because it was an easier fit with a workaday schedule, and I still believe it was the sensible choice. I can’t say that music is a road not taken, because I took that path as far as I could go at the time. I think of it as a road with a bridge temporary closed for maintenance. That doesn’t mean I don’t feel the ache every time the ghost of my musical soul stirs.
I’m not alone, of course. The demands we face as creative entrepreneurs aren’t easy, especially when responsibilities tie us to corporate jobs and all that reality entails. Creativity in that context is an extraordinary quest—one that takes us through feats of time-bending, identity-shifting, and fiscal sleight-of-hand. We transform in metaphorical phone booths, unleashing our true selves in the privacy of hidden spaces. We might not conquer literal armies, but we defend our kingdoms all the same. There are precious things inside us, and creatives fight to keep them alive.
We live in hope for eventual freedom, of a victory before it’s too late. Only then can we be whole again, returning all those lost ghosts to the hearth of our souls.
It’s a dream, but we have to believe it.