Ghost of prose past

Picking out favourite scenes is a tough job because if a chunk o’ prose is working, it carries impact. If it doesn’t, chances are it hits the cutting room floor. Until you’ve tried to stuff you personal War and Peace into a 100,000 word length, you have no idea how cruel an author can be to those lesser scenes. I write long, so usually something gets taken out before all is said and done.

That’s not to say all the surviving scenes are created equal. Some are character development, some action, some purely there for the romance. Others change the entire universe of the story with a single phrase. I really think those moments are what stick with us – Luke Skywalker finding out Darth is Dad, Sam figuring out Frodo’s not going to drop the Ring into Mount Doom, or Elizabeth Bennett figuring out what Darcy was really thinking. Often these scenes reveal deep truths about the characters involved. They’re unexpected, but contain a perfect logic when they’re revealed.

Where do these moments come from? Darned if I know.

I’m what you might call a misty plotter—never quite flying into the mist, but never clear on a lot of significant detail. In other words, I know where I’m headed, but the scenery is always a surprise and I’ll stumble on a lot of the universe-changing stuff when I least expect it. In Ravenous, the answer to one of the major story questions smacked me in the face before I knew it was there. I felt pretty dumb. I mean, I’m supposed to know what’s going in my own book, right?

Some days we’re just the office help.

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