May 22, 2018 • No Comments
We all know the past has a pull on us. We write about literal ghosts, but there are plenty of metaphorical ones as well. Some are even more powerful and/or frightening than a chain-rattling specter. These haunts are the echoes of past selves that—for good or ill—we’ve somehow left behind. Memories, emotions, past selves we’ve given up for a higher good or a harder road—nothing is ever truly gone when it’s a part of our soul. Sometimes that’s a relief, or an ache, or both.
Dreams delayed are the strangest of these shades. This weekend was full of open-air concerts and sunshine and the first flush of the festival season. I took time away from my desk to bask in the warmth and watch one of my favorite bands. As a creative, I had two loves—writing and music, and I had to make a choice between the two. I could only nurture one properly and still hold down a full-time job. I chose storytelling, in part because it was an easier fit with a workaday schedule, and I still believe it was the sensible choice. I can’t say that music is a road not taken, because I took that path as far as I could go at the time. I think of it as a road with a bridge temporary closed for maintenance. That doesn’t mean I don’t feel the ache every time the ghost of my musical soul stirs.
I’m not alone, of course. The demands we face as creative entrepreneurs aren’t easy, especially when responsibilities tie us to corporate jobs and all that reality entails. Creativity in that context is an extraordinary quest—one that takes us through feats of time-bending, identity-shifting, and fiscal sleight-of-hand. We transform in metaphorical phone booths, unleashing our true selves in the privacy of hidden spaces. We might not conquer literal armies, but we defend our kingdoms all the same. There are precious things inside us, and creatives fight to keep them alive.
We live in hope for eventual freedom, of a victory before it’s too late. Only then can we be whole again, returning all those lost ghosts to the hearth of our souls.
It’s a dream, but we have to believe it.
March 5, 2018 • No Comments
This past weekend the authors of the Corsair’s Cove Collective met for our semi-annual retreat. This involved food, some wine, a lot of note-taking, planning, dreaming, food, and a mild sense of panic as we turned our wild ideas into actionable to-do lists. Did I mention food? Suffice to say that readers will hear more from the Cove in coming months.
As well as storytelling goals, there are many challenges relating to business and technology. This is one of the ways that I truly value this collaboration: I learn stuff. So much stuff about writing, working together, and my own strengths and areas of improvement. I’ve also learning that if I resist something, that’s usually a signal that I need to double down on whatever is making me twitchy. Therefore, I’m setting myself a task: getting conversant with advertising platforms like AMS, Bookbub and others. This is something I’ve deferred “for later” but it’s time to buckle down. I look at this as taking my author journey to the next level. It’s just another way to take control of what happens to my work in the wide universe and I’ve learned my lesson about leaving that up to outside forces.
And, we have many fabulous ideas about things to do with our shared blog, so look for a TON of value coming to our outreach channels. Corsair’s Cove has developed amazing new depths in the last 72 hours. However, if I go into all that here this will be a very long blog.
I can best summarize this whole experience by saying Rachel and I went directly from our meeting site to the stationery store and bought wall-sized erasable calendars to keep track of all our due dates. Then I heard from Shelley, who bought a new journal for just that purpose. Yup, we have plans!
November 27, 2017 • No Comments
Winter is typically the time for huddling indoors and thinking about roast beast and woolly sweaters. However, back in the days of snail mail, it was also the season for seed catalogues. I typically spend small fortunes (mostly mentally, occasionally literally) on all sorts of gardening toys, bulbs, books, seeds, and root stock. At the time, I even ordered rose bushes to plant in my glorious lot and a half garden with its greenhouse, asparagus bed, small orchard of trees (3 apple, 2 cherry, and a pear), grape vines, berry canes and a horseradish plant that was doing its best to take over the world. I miss that place, which has since been paved over, but I have to believe the seeds of all those plant friends are waiting under the earth for the right time to shrug off the concrete and start again. Nature is far more persistent than people who apparently hate gardens.
The cycle of the year is also persistent. Here we are again, in the quiet season when it is right to think about seeds and what we would like to plant. Sure, it’s hectic with celebrations and shopping and visiting, but in every wrap-up of the year is the germination of the next. What do we want to grow more of? What would we like to weed out? What roots need more water and what requires pruning? In the midst of all the chaos, this is our opportunity to step back and take our garden’s measure.
Sometimes we discover a volunteer plant along the way. I found the tiny seedling of my next Corsair’s Cove story almost by accident this week. It’s still tiny, but I recognized it at once. Creativity is a bit like that—a random word or image takes root and grows into something robust and unexpected. Call it a Yuletide stocking stuffer from the Muse.
September 5, 2017 • No Comments
I do these (almost) weekly updates to let readers know where all my various works in progress are at and how soon they will be available. I also do them to make myself accountable because it’s far too easy to get scattered.
This week’s progress:
Enchanter Redeemed (Camelot Reborn book 4): Did two rounds of edits in very short order, which was exhausting but the book is in the can now. Release date Feb 2018
Fragile Magic: Is up for sale! My first solo indie release!
Kiss in the Dark: Is also locked and loaded and on preorder. Release date is September 30.
Kiss at the Altar: My contribution in progress, with about 2,000 words to go.
New projects were bumped by Enchanter Redeemed’s editing process.
Since my long weekend was all about copyedits, I took today off to get other things done. This included a wrangle with Audible and Amazon Author Central, since I had to sort out some longstanding issues with my account. And then there was updating Goodreads, my website, copyright forms, cleaning out the inbox, blah blah. I mention this because it’s the reality of the working author just as much as the writing part. The good news is clearing all that away reduces stress. We can’t all be like the Demon Lord of Kitty Badness, who mocks the stressed-out human slaves.
June 28, 2017 • No Comments
Here is a lesson on deadlines and writing survival 101 aka human behaviour in action.
The challenge: between being an adult, working a 9 to 5, launching 2 different books, social media, learning how to manage independent publishing, and maintaining minimal human contact, I got really behind on the book I was supposed to be writing. To remain on track, I need to finish draft one (75 – 80K words) by the weekend of July 1, 2017. Last Tuesday (June 20) I was at around 37.5K. I am not a fast writer. On a weeknight I’m lucky to do 800 to 1,000 words.
I’m often asked for writing advice, so I’m offering up this real life example of the one true and simple principle of writing. Writers write. They are also people and need to do other stuff, but at some point during the day they must shove everything else aside and apply fingers to the keyboard. It’s the one job that can’t be skipped. The same applies to anyone in a creative industry. Call it product creation, taking care of your main business, or cuddling your muse—all the auxiliary activities from Twitter to keeping the books don’t mean a thing without Actual Work.
If it sounds like I’m shaking my finger and scolding, it’s because I’m doing that to myself. I got distracted, fell behind, and ended up in a pickle. There is always a good reason for distractions. Often it’s practical, like getting groceries or posting a blog. That’s still not putting the story on the page and, sooner or later, a deadline looms and there are not enough words.
So then what? I had to pay the piper and burn vacation days. That meant sitting down at the computer at my usual day-job start time and working through to 10:00 pm with two meal breaks of about an hour (exception – one night I went to my regular critique group meeting). Five days and 24K words later, I’m almost caught up. I have about 13,000 words and a week to go. I’ve done these marathons a few times before and they always follow the same pattern: day 1 is awesome, day 2 I’m missing variety, the sunshine, and friends, and by day 5 I’m dragging every word out with tongs and hate my characters’ guts. But I did it.
And, of course, I swear I’ll fall behind like this again. Ever. Well, not for a while. Seriously.
We’ll see how long my resolutions last.
May 18, 2017 • No Comments
What happened this week? I was minding my own business and I got an email telling me that my publishing line closed. Harlequin Nocturne, alone with 4 other series lines, is ceasing operations at the end of December 2018.
Good news: I will probably get the last of the Camelot Reborn books published. I am heartened by the fact that ENCHANTER REDEEMED stars Merlin. If anyone can beat the odds, it would be him. Bad news: I will have to exert effort (boo!). The nice thing about Nocturne was that they liked my stuff and getting new contracts was, for the current publishing climate, relatively straightforward.
I won’t dwell on the suckage of all this because it’s obvious. Good people lose their jobs when this sort of thing happens. Books and authors lose their publishing home. Readers don’t get the books they love. It’s also weird finding out about something so personally impactful via a broadcast email, but that is apparently how modern life rolls.
So what is my response to all this? I have Merlin’s book to write by deadline. I can’t allow circumstances to slow me down, mostly because I’m behind to begin with. This is publishing. And when this book is done, I have other projects on the boil. This is exactly why I have many things in play at the same time. I’ve learned my lessons.
Disasters? Bah, I eat them on little crackers for breakfast.
February 6, 2017 • No Comments
It’s been snowing like crazy, which isn’t usual for February in Victoria. I don’t mind the weather shaking it up. The unexpected makes one look up and take notice of the world, even if it’s just the snow globe beauty of this morning, or the specter of shoveling my way around a corner lot.
It’s a timely departure from my usual rut. I’m in that pause between writing books, if only for a few days. Last week I turned in the final edits on Royal Enchantment, and I have the next thing, a novella, already loaded and ready to hit the page. I need a breather to check the to-do list, shop groceries, make a few social calls, etcetera. More importantly, I need to erase my mental chalkboard and rearrange the furniture inside my head. One set of characters have left, and I need to vacuum before the next arrive.
But I can’t stay away from the keyboard long – I’m wired to work. February is dedicated to drafting the novella, which I expect to be around 25,000 words or basically 10 or 11 chapters. It’s part of a group project, the 4th of a set of 4 pieces. I don’t do these often, mostly because I’ve learned the hard way to look before I leap. This project is different and better, with hand-picked writers and a LOT of discussion and coordination. Which means, I suppose, that I should get started!
July 27, 2016 • No Comments
July 27 Guest Blog
June 27, 2016 • No Comments
May 3, 2016 • No Comments
Here are a few truths I’ve learned the hard way:
- Books will complicate themselves. They don’t need help.
- The stronger a characters’ motivations are, the less artfully constructed patches are needed to save the plot. (I was only fooling myself!)
- If an action doesn’t make emotional sense in the real world, it doesn’t make emotional sense in the book world.
- Ask myself if real people talk like that.
- Being mysterious doesn’t equal good storytelling. One can’t advance a plot just by withholding information from the reader.
- The better the actual story, the less special effects (dragons, sex scenes, gruesome murders, dancing hamsters, etcetera) are needed to keep it moving.
- If I have to stop the action and explain what’s going on, I need to check my work.